Interviewed by Phillip Dodd for BBC Radio 3’s Nightwaves last night, novelist William Gibson talked about the difficulties of writing in an age in which history has its finger pressed down firmly on the fast-forward button – not a cliché in 1984 when it appeared in Neuromancer – with no letting up in sight.

Gibson wanted to set Pattern Recognition, his latest novel, in the present. He thought that he’d become ‘a little bit too slick at doing the present-trends-transmogrified-into-an-imaginary-future thing.’

But how to catch it, fix it down on paper, a fictional present in a real present which won’t stay still for a second, which finds itself in a world where everything solid is melting into the ether of a world wide matrix, a world of rapid information flows where future shock never stops?

Writing the novel immediately after September 11 2001, he set its present in the ‘very, very near future’.

By the time the book was published, its present had passed. Now it’s a novel about the very recent past.

- BBC Nightwaves audio on demand until April 30.

Mickey isn’t the only mouse trying to wriggle out of the clutches of the masters of code.
- Animation World Network

Canada last week refused to grant a patent for a genetically modified mouse.

Unlike the US, EU and Japan, Canada denies that Harvard’s scientists invented anything when they manipulated mouse genes. Its Supreme Court says the university doesn’t deserve a patent – at least not until the politicians have had a chance to think the ethics of biotech over.
- National Post

As with Mickey, business concerns slam into public concerns here.

It doesn’t make much business sense for patented genes to be freely accessible. After all, you don’t want your rivals rummaging through your research work.

This isn’t just a standard big business line. As biotech develops, smaller firms, entrepreneurial boffins often, universities even, are entering the market as niche developers. Like artists, writers, coders and other intellectual property creators, they want to safeguard their work so they can be properly rewarded.

Fine, but when it comes to biotech, sole ownership of this kind of information isn’t in the public interest. Charging for access is likely to discourage research. Ideas develop most rapidly, most fruitfully through free exchanges of information. And it goes against common sense, moral sense, for private groups to have monopolies over such fundamental knowledge.

It’s the beginning of the end of the big media monopoly, argues Robert X Cringely. The big media corporations may have succeeded in making copying illegal. But even Microsoft is starting to acknowledge that there’s been a total failure in stopping the growth of a culture of copying.

Big media’s next step will be to employ hacking techniques against peer-to-peer file sharing systems. Then, as consumer PR hits rock bottom, the corporates will introduce their own pretty peer-to-peer systems.

With corporate peer-to-peer – two incompatible ideas – likely to fail, big media will increasingly concentrate on media projects, like blockbuster films, requiring large amounts of cash. Text and music will come from individual writers and artists operating outside the old media loop.

If the corporates don’t accommodate this new media, they may find their game is over.
- Cringely’s Pulpit

It’s sharing ideas that leads to innovation. The Romantic idea of the artist as a lonely genius? It’s more like Newton and Oasis and the rest of us jostling for position on the shoulders of giants.

According to Malcolm ‘Tipping Point‘ Gladwell, innovation happens when people egg each other on. Group social interaction results in radical ideas.

He looks at how Fichte, Schelling and Hegel, how Darwin, Watt and Priestley, how TV comedians Saturday Night Live got together and got down – in John Belushi’s case to coke snorting and everybody’s wife – to produce, in the end, pure genius.

Of course, innovation needs heads-down time too. The trick is to ‘combine the right kind of insularity with the right kind of homogeneity’ and create an environment that’s safe and yet stimulating.
- New Yorker

Glib? Sure, everybody nowadays loves innovation, creativity and thinking out of the rectangular container. Just needs a little singing from the same hymnbook. Buzzword bingo!

But Gladwell has a point. Creativity requires collaboration. It also requires the ability to rework ideas taken from a common stock.

Develop an existing idea so that it becomes something new and you’ll be applauded for your creativity and genius. Unless you’re hit with a cease-and-desist letter first.

The images and sounds in Illegal Art, currently at New York’s 313 Gallery, broke copyright law and so media corporations and their lawyers dragged the artists responsible to the courtroom.

Not a familiar cartoon character by Ashley Holt

Highlights include:

Without copyright term extensions, old films wouldn’t get distributed, argues the entertainment industry. ‘Indiscriminate exploitation’ by public domain copyists would reduce the flow of cash to Big Media and hence the motivation Big Media needs to ‘publish’ films.
- CS Monitor

Intellectual property academics Lawrence Lessig and Jason Schultz say that’s so much baloney. Digging around the Internet Movie Database (IMDb), Schultz finds that out of the 37,000 or so movies released between 1927 and 1946, only 2,480, 6.8%, are commercially available.
- Lessig Blog

So, advice to Hollywood: why not place the whole lot in the public domain and see what happens?